Earlier we talked of ten of the most depressing movies to be released till date based on opinion. This time around we are discussing ten most romantic movies for all you lovebirds out there. Be warned though, you might tear up while watching these so keep a box of tissues next to you. Get in touch with your emotional side today. The synopses of the movies are provided in order to help you with your decision as to what movie should you rent this weekend. Enjoy the list.
10. WHEN HARRY MET SALLY
The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be “just friends.” They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced.
9. LOVE ACTUALLY
Love Actually involves more than a dozen main characters, each weaving his or her way into another’s heart over the course of one particularly eventful Christmas. The seemingly perfect wedding of Juliet (Keira Knightley) and Peter (Chiwetel Ejiofor) brings many of the principals together, including heartsick best man Mark (Andrew Lincoln), who harbors a very unrequited crush on Juliet. There’s also recent widower Daniel (Liam Neeson), trying to help his lonely stepson Sam (Thomas Sangster) express his true feelings to a classmate. Across town, devoted working mother Karen (Emma Thompson) tries to rekindle the passion of her husband, Harry (Alan Rickman), who secretly pines for a young colleague of his. In the same office, the lonely Sarah (Laura Linney) not-so-secretly pines for a man just a few desks away (Rodrigo Santoro), who returns her affections but may not be able to dissuade her neuroses.
8. BREAKFAST AT TIFFANY’S
In an idealized New York City during the early ’60s, Holly Golightly (Audrey Hepburn) is a charming socialite with a youthful zest for life who lives alone in a nearly bare apartment. She has such a flippant lifestyle that she won’t even give her cat a name, because that would be too much of a commitment to a relationship. Maintaining a childlike innocence yet wearing the most perfect of designer clothes and accessories from Givenchy, she spends her time on expensive dates and at high-class parties. She escorts various wealthy men, yet fails to return their affections after they have given her gifts and money. Holly’s carefree independence is changed when she meets her neighbor.
7. ANNIE HALL
Woody Allen’s romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it’s not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness.
6. SOME LIKE IT HOT
Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) lose their jobs when a speakeasy owned by mob boss Spats Columbo (George Raft) is raided by prohibition agent Mulligan (Pat O’Brien). Several weeks later, on February 14th, Joe and Jerry get a job perfroming in Urbana and end up witnessing a gangland massacre in a parking garage. Fearing that they will be next on the mobsters’ hit lists, Joe devises an ingenious plan for disguising their identities. Soon they are all dolled up and performing as Josephine and Daphne in Sweet Sue’s all-girl orchestra. En route to Florida by train with Sweet Sue’s band, the boys (girls?) make the acquaintance of Sue’s lead singer Sugar Kane (Marilyn Monroe, in what may be her best performance).
5. PRINCESS BRIDE
The Princess Bride is staged as a book read by grandfather (Peter Falk) to his ill grandson (Fred Savage). Falk’s character assures a romance-weary Savage that the book has much more to deliver than a simpering love story, including but not limited to fencing, fighting, torture, death, true love, giants, and pirates. Indeed, The Princess Bride offers a tongue-in-cheek fairy tale depicting stable boy-turned-pirate Westley’s journey to rescue Buttercup (Robin Wright), his true love, away from the evil prince (Chris Sarandon), whom she had agreed to marry five years after learning of what she had believed to be news of Westley’s death.
Jonathan (John Cusack) and Sara (Kate Beckinsale) are two New Yorkers already in relationships when they meet one another, each reaching for the last pair of cashmere gloves at a department store. Over coffee, they strike up an intimate conversation, and Jonathan thinks they should see each other again. Unconvinced, Sara arranges an elaborate series of “fate” games; if they’re meant to be together, she reasons, she and Jonathan will receive some sort of sign in the future.
3. SHAKESPEARE IN LOVE
William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself
2. SLEEPLESS IN SEATTLE
Sleepless in Seattle, the sophomore directorial effort from Nora Ephron, is a light romantic comedy inspired by the 1957 film An Affair to Remember. Tom Hanks stars as widower and single father Sam. When Sam’s son, Jonah (Ross Malinger), calls into a talk radio program looking for a new mother, Sam ends up getting on the phone and laments about his lost love. Thousands of miles away, Annie (Meg Ryan) hears the program and immediately falls in love with Sam, despite the fact that she has never met him and that she is engaged to humdrum Walter (Bill Pullman).
It is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick’s café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick’s great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick’s true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she’s renewed her love for Rick, she wants to stay behind in Casablanca.